Five Things: Five B&W classics you wish you had seen!

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Field tested atleast two of the five movies I am going to recommend, on my boyfriend (who is new to the B&W era). And with very satisfying results. So I am picking these five movies that will ease you to explore more B&W classics :) And this deliberate picking is across five different genres to add variety. Go!

Safety Last! (Genre: Silent Comedy)

Harold Lloyd, you beauty. The only feeling I am left with after watching this movie - can I see it again? And again? Best known for the famous clock dangling scene immortalized by Lloyd and later cloned in numerous movies (latest being Martin Scorsese's Hugo). But don't just gloss over it yet - with an incredible repertoire of gags (several clever ones in fact) and "thrill" sequences - Safety Last is the landmark movie on physical comedy, an act that has almost vanished in modern times. (See New Yorker's piece on The demise of physical comedy). This is laugh riot at its best - the pure kind of comedy, devoid of any pop culture references or vulgarity.

Watch yourself laugh out loud like a kid. My money's on this one.

And oh, Harold Lloyd glasses, anyone?:)

12 Angry Men (Genre: Courtroom Drama)

When I was a kid, one of the first classics I read was To Kill a Mocking Bird. I picked an abridged version and I fell in love with law. I day dreamed and fantasised myself as a lawyer. And then, of course, adulthood happened. 12 Angry Men is a movie shot entirely in a tiny room filled with 12 men on the jury, sweating, debating and cross-examining evidence to reach a decision on a young teenager accused of murdering his father. This movie took me back to the time when I harbored the same feeling while reading MockingBird - to pursue the passion of law. Of course, this might not be the case with you - but watch, just for the unfolding of an intelligent plot and a take at how humans are generally prejudiced.

Like the first review on IMDB says: If you ever see a Black & White movie, make it this one.

The Seven Samurai (Genre: Warrior/Samurai Action)

Seven Samurai is required viewing. Period. There is enough said about good cinema, great cinema, but very rarely you come across cinema that just cannot be remade. It makes The Magnificient Seven, Sholay and other inspired western classics look like cheap imitation. Just like the difference between a genuine Armani and a fake one. There is so much complexity involved in the story that every time I see this movie it blows my mind. Akira Kurosawa, respect. Frame after frame after frame, it is a thing of beauty. Action sequences so brilliant, I am yet to find a word that can befittingly describe it. See here for a short review I wrote on an earlier post.

Although, this requires no review to guarantee that it will be the 3 hours of your life, well spent.

Rififi (Genre: Heist/French Noir)

Jules Dassin makes me giddy with anticipation with every movie of his. And that makes it so hard to pick a best one from his movies like The Naked City, Brute Force etc., that I would love to own them all as DVDs and keep them at arm's length for repeat viewings. Watch the 30 minute long silent heist sequence, (see below clip) the best bang for your buck. The genius of this movie is in its subtlety, execution (beautifully shot!) and low key acting. I don't know, like a beautiful mural perhaps, you can't tell what about it is so overwhelming.

Indeed, this set the path for future noir movies.

Paths of Glory (Genre: War Drama)

I don't care how much you hate B&W movies, but this is a must-see. Ok, I said that for all of the above, I know. I just couldn't resist repeating that, specially since this is Stanley Kubrick we are talking about. (I was torn between choosing Paths of Glory and The Killing, but since I already suggested a noir movie, I went with Paths of Glory). I wouldn't tell this about any other movie but for this: I don't find a single thing that can be changed in this movie to make it any better (ok, perhaps you might disagree on the ending).

Hands down, the most technically shot movie made on trench warfare in World War I! All I can say is this is no ordinary war drama. If you haven't watched this, you are doing yourself a great dishonor.

Animated Short: Head over Heels

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"A husband and wife. How do you rise above your differences, when you can't agree which way is up? A marriage turned upside down, hangs in the balance..."

Head over Heels - a 2013 Oscar nominated short from the National Film and Television school that explores the relationship between a long married elderly couple who have drifted apart - illustrated by one living on the ceiling and another living on the floor  (great metaphor for the rift we create in our relationships). The couple can't agree which way is up. One day as the husband tries to rekindle the lost romance between them, they must find a way to balance the upside down and put their marriage back together.

PS: Cant seem to get enough of it, I have watched it so many times! Reminds me so much of my favorite Pixar movie - Up :)

Animated Short: The Danish Poet

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Ever wondered what would life be like if your parents never met and you weren't born as a result? What coincidences/accidents might have led them to meet each other? Is life a sequential stream of incidents or is there more to it than it appears?

"The Danish Poet" is an Academy Award winning animated short (15 mins) illustrates happenstance in a beautiful, lyrical narration.

Life is all about taking a chance! Who knows when you will bump into your soulmate? I am sure anyone in love can relate to this. Watch it with your loved ones :-)

Movie Recommendation: The Great Dictator (by Charlie Chaplin)

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Note: Ok, after a dose of Chaplin movies, I can honestly say - How the hell did I miss his movies? They are incredible! Each one of them. But this one stands out on its own. The Great Dictator is a genius satire on the Nazi era - only Chaplin can combine comedy with an intense subject like that. This is what cinema should be like! Available on YouTube here (yay!)

IMDB Entry: http://www.imdb.com/title/tt0032553/
Genre: Comedy, Drama

This movie is laugh-out-loud, poignant, sad - all rolled into one. You take a serious topic - as intense as the holocaust and the anti-Semitism - and turn it into a political satire/comedy? Well, who but Chaplin can put a fictional spin to it and delight us with a such a piece of art! This is the greatest risk ever taken by a filmmaker in my opinion (the movie was released when the Nazis were in prominence and during World War II!)

Chaplin stars in a dual role as a bumbling Jewish barber and a ruthless dictator (a direct satire on Hitler).  After returning from war (World War I), the Jewish barber is admitted into a hospital and loses memory of the war. He is released from the hospital during the time when Jews are persecuted, only to be mistaken as the dictator himself (due to his resemblance to the dictator)

The best part of the movie? The impassioned and powerful speech given by the Jewish barber at the end of the movie. And just for that, this movie should be elevated to the status of a cult classic.

                  

The Speech in words:

I'm sorry but I don't want to be an emperor.

That's not my business.

I don't want to rule or conquer anyone.

I should like to help everyone: Jew, gentile, black man, white.

We all want to help one another.

Human beings are like that.

We want to live by each other's happiness, not misery.

We don't want to hate one another.

In this world, the good earth is rich and can provide for everyone.

The way of life can be free and beautiful but we have lost the way.

Greed has poisoned men's souls, has barricaded the world with hate, has goose-stepped us into bloodshed.

We have developed speed but have shut ourselves in.

Machinery has left us in want.

Our knowledge has made us cynical, our cleverness, hard and unkind.

We think too much and feel too little.

More than machinery we need humanity.

More than cleverness we need kindness and gentleness.

Without these qualities, life will be violent and all will be lost...

The airplane and radio have brought us closer.

These inventions cry out for the goodness in man, cry out for universal brotherhood, for the unity of us all.

Even now my voice is reaching millions, millions of despairing men, women and children, victims of a system that makes men torture and imprison innocent people.

To those who can hear me I say, do not despair.

The misery upon us is but the passing of greed, the bitterness of men who fear the way of human progress.

The hate of men will pass, and dictators die, and the power they took will return to the people.

So long as men die liberty will never perish.

Soldiers, don't give yourselves to brutes, men who despise you, enslave you, regiment your lives, tell you what to think and feel, who drill you, treat you like cattle and use you as cannon fodder.

Don't give yourselves to these men, machine men with machine minds and machine hearts.

You are not machines, you are not cattle, you are men! You have the love of humanity in you.

Don't hate. Only the unloved and the unnatural hate.

Soldiers, don't fight for slavery, fight for liberty! St Luke says, "The Kingdom of God is within man." Not in one man nor a group of men, but in all men. In you! You have the power to create machines, the power to create happiness.

You have the power to make this life free and beautiful, to make this life a wonderful adventure.

In the name of democracy, let us use that power.

Let us all unite, let us fight for a new world, a world that will give men a chance to work, that will give youth a future and old age security.

Promising these things, brutes have risen.

But they lie! They do not fulfill that promise. They never will! Dictators free themselves but they enslave the people. Now let us fight to fulfill that promise! Let us fight to free the world, to do away with national barriers, to do away with greed, with hate and intolerance.

Let us fight for a world of reason, a world where science and progress will lead to the happiness of all. Soldiers, in the name of democracy, let us unite!

Movie Recommendation: Okuribito (Departures)

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Note: If you are in a mood to reflect on life, death and family and relationships, this is it. This movie is available on YouTube (yay!) with English subtitles.

IMDB entry: http://www.imdb.com/title/tt1069238/
Genre: Drama, Family, Japanese

Jumping right in. This is the story of an unemployed cello player Diago, who leaves Tokyo and returns to his hometown to find himself a job. He mistakes an ad in the local paper for a job in a travel agency only to find out later that the job is of a "Nokanshi" or NK agent - a professional who prepares deceased bodies for funeral. He is despised by his wife and friends for taking up such a forbidden job. But in this job Diago finds himself, reconciles with his dad and understands the true meaning of life, relationships and death.

Before I continue, a fair warning that this movie can be slow in parts - but rightly so. It is only by taking time to reflect you tend to appreciate both the beauty and sorrow in life. This movie is in the same genre as Akira Kurosawa's "Ikiru" - a poignant reflection on the meaning of life when you watch death in the face. This is also a story of loss and how painful it is to realize you no longer have that privilege to spend life's cherished moments with your loved ones.

The movie has a soulful background score that elevates the mood in the story. There is also plenty of good old-fashioned humor (specially in the first half of the movie). The movie also uncovers some of the deepest Japanese beliefs and customs on the after life of the departed. I was really surprised by the whole notion of a life after death and how the deceased are carefully prepared for a peaceful journey after death in Japanese tradition. Unlike movies that deal with death with a lot of melodrama, this one is a lot more subtle and less cliched.

The movie also explores in part Daigo's own battle with returning to his origins and his despise for his dad who left him and his mother when he was young. In life we always hold a lifetime grudge and cant reconcile with it, and yet we realize that to forgive and let go of the past is the only way to free ourselves. The movie benefits from some of the fine acting by the cast, stunning direction and beautiful depiction of relationships.

Only in Japan, even a death ritual can be a form of art. The more I see and learn about Japanese culture, the more I am inclined to believe how rich and traditional their culture is. We have all lost or remember someone whom we love and miss and this movie is a tribute to those who have left us. A reminder that life is not all about ourselves, but also the beautiful and long lasting relationships we form.

Movie Recommendation: The Kid (by Charlie Chaplin)

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Note: Got 50 mins? Never seen a Charlie Chaplin movie? Want to see a silent movie? Ever seen a dramedy or don't know one? Got kids and want to watch a movie with them? Then this is the movie to watch! It is available on YouTube here

IMDB: http://www.imdb.com/title/tt0012349/

Genre: Drama, Comedy, Children, Family

I am not sure what took me so long to watch full length Charlie Chaplin movies. Perhaps the stereotype that it is more suited for kids? Or his buffoonery is not for the mature? Or just that Black & White silent movies are not really the trend today. Whatever it was, I am happy I am not under that spell anymore. Because Charlie Chaplin my friends, is a cinematic genius. To really appreciate the dark humor you must watch his movies - trust Chaplin to mix melancholy with slapstick so beautifully. He might as well be called the Father of Dramedy.

                    

More about the movie now. The opening credits roll: "A comedy with a smile and perhaps a tear"

Now that I have seen this movie, couldn't sum it up better! The movie follows the story of an unwanted baby that is found near a garbage can by a tramp (Chaplin). After unsuccessful attempts to get rid of the baby, Chaplin decides to adopt him (calls him John). Chaplin and his son lead a life of poverty masked by strokes of humor that can only happen in a Chaplin movie - dodging a local policeman, getting into street fights, pulling pranks, running on the rooftops etc. For a moment you forget they are tramps - they don't live comfortable lives. The story takes a turn when the kid's biological mother discovers him and the authorities take him away. What will happen to Chaplin and the kid? Will they get back together again?

I don't know who did the role of the kid or what became of him (it is a 1921 movie, none of our parents were even close to being born at the time), he was nothing short of a great actor. There is an endearing scene where the kid is twisted away from Chaplin and the kid breaks into tears. It was just heartbreaking to watch, specially with the kid acting it out so damn well. That too in a silent movie. Remarkable! 

The movie runs barely an hour. Yes, we have seen Chaplin's comedy routines as the bumbling tramp in bits and pieces. But have we watched a full length feature where he also plays a serious role? Nope. For all the lame stuff we pedal to our kids these days, this movie is a far better choice. Do a favor, grab this movie and watch it with your kids - they will love it to pieces.

It is obvious that I am hook, line and sinker for Chaplin after this movie - The Kid is Chaplin's master stroke. If you haven't watched it yet, you should ask yourself - why haven't you?

Five things: My favorite five movies on food

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My favorite five movies on food. Go!

5. Julie & Julia

A witty, feel-good parallel between lives of Julia Child and Julie Powell with a near mystique ending - will Julie be able to cook through 365 dishes of Julia Child, successfully?

Nora Ephron (the director), synonym with romantic comedies and food - what's not to love about that combination? Plus, Meryl Streep impersonating the legendary chef Julia Child (btw what a perfect last name to complement her child like enthusiasm for food) and Amy Adams (come on who doesn't smile when they look at her?) are top reasons to check out this movie. And of course makes you wonder how all that butter is not making the French any fatter? (My only pet peeve with this movie - it tends to drag in parts)

A word of caution: Eat before you see this movie. It is going to make you hungry.

4. Chocolat

Johnny Depp, romance, lots of chocolate. Go figure.













3. Willy Wonka and the Chocolate Factory

A poor boy by name Charlie, wins a ticket to tour the craziest candy factory in the world! Now that premise itself should feel intriguing no? It's successor  - Charlie and the Chocolate Factory - is good too but that would be an overdose of Johnny Depp (or maybe that's what you like? Then go for it). Anyway the whole deal about getting lucky and winning that ticket to magic chocolate land sounds so feel-good, if you ask me. We want the underdog to win after all :) And then their is this deal about whether Charlie will win himself a lifetime supply of Wonka chocolate - keeps you guessing. A great movie to watch, specially with kids:)





2. Ratatouille

I am yet to meet someone who doesn't like Ratatouille - can't say that about most of the movies. This  movie makes me want to eat Ratatouille and brings an honest chuckle when I eat one. Remy the rat, winning over Anton Ego, the critic draws me to a feverish crescendo, every single time I watch the movie. And just as inspiring: Remember, anybody can cook! 

One phrase that sums up the reason for loving this movie - 

"soul food".

1. Eat Drink Man Woman

Yes sir, we have a foodie movie from our beloved, Life of Pi famous Ang Lee. Revolves around a family in Taipei (a chef and his three daughters), their dinner ritual and coming together to face ups and downs in their lives. This movie craftily uses food as a metaphor - sour, sweet, spice, bitter -  for the different experiences in life. Watch it and savor it again and again, just like your favorite dish:)









Wait, there are other favorite ones too! Jiro Dreams of Sushi, Tampopo...but some other time:) Although, come to think of it, any favorites in Indian movies? Rajesh Khanna's Bawarchi and Bachchan's Cheeni Kum comes to mind. I haven't seen the more recent Luv Shuv Tey Chicken Khurana. Really, that's it for Bollywood?

Bon Appetit!

Movie Recommendation: Le Ballon Rouge (The Red Balloon)

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Note: I was specifically looking for a movie that would warm my heart - this one seemed like a custom fit. Thank you Hulu Plus!

IMDB Entry: Le Ballon Rouge

Genre: Children, French

As a kid growing up in an average India middle class family, my source of entertainment (TV/movies) was the national television channel in India - Doordarshan :) Needless to say, I didn't really have a broad exposure to classic children's movies at the time (I think we made do with cartoons then?). Now I wish I had seen a movie, such as this one, then.

The good news is it is available to watch on YouTube (yay to Internet!):

                     

The Red Balloon is a funny, simple story of a red balloon (duh!) that is rescued by a little boy. The balloon dotes on the boy and follows him everywhere through the streets of Paris (to his school, church etc.) and they seem to form a bond that is the envy of the local kids. The kids get fascinated and want to destroy the balloon when it seems impossible to rip it apart from its owner (welcome to the real world! when you cant have it, destroy it). The climax is heartbreaking but also uplifting at the same time.

The camera work is exquisite. I am not familiar with Parisian streets, but it looks like the movie captures a very picturesque 1950's Paris - cobblestone streets, narrow alleys, victorian balconies, old school  staircases, little bakeries with delectable pastries and baguettes. The kid - main protagonist in the movie - is charming and effortlessly carries the film with almost no dialogs spoken in the movie. The movie has a background score that brings out the mood in the film. The movie flows like an adventure - very well deserved Oscar for the screenplay. This movie is definitely a treat to watch - and a masterpiece for short movie making connoisseurs. 

This movie is definitely recommended for young children (and as well for adults if you are looking for a short feel good film).  It stands as a metaphor for hope, love, loyalty and devotion - something we rarely find these days. It is a little reminder that life is all about tiny treats. As kids, we hold on to some things dearly and never let go. Our devotion and love is genuine. It almost melts your heart to see the boy's mother throw the balloon out of the window but the balloon hangs in the air, by the side of the balcony, waiting for the little boy to reclaim it. I think that does dig up our own fond memories of things we possessed as a kid :)

This movie is like eating a warm toasted bread with melted butter on top. Now, who doesn't like that?:)

Movie Recommendation: The Hidden Fortress

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Note: The movie that inspired George Lucas's Star Wars. Enough said.

IMDB Entry: The Hidden Fortress

Genre: Adventure, Action, Drama, Japanese

Well, by now most of you know my addiction to Kurosawa's creations. See here for an initial list of my Kurosawa favorites. Since then I have almost (yes, I am agonizingly close to seeing all of Kurosawa's movies. What am I going to do after that?) seen all of his movies. And it is just too hard to pick a best one from the lot. But Hidden Fortress was like fresh air to me (I haven't been watching movies for a long time now). Ok, enough of my banter.

The movie follows two greedy (and somewhat gullible) peasants who help a man and a woman cross the enemy lines to a friendly province. The peasants don't realize they are the General and Princess (the last of the Ayizuki clan) gone undercover, with a reward on their heads. The General plans the escape route tricking the enemies at every step while the bumbling peasants turn out to be more trouble than help.

                      

The movie is a visual treat like most of Kurosawa's creations - sweeping panoramas and amazing landscapes in frame after frame. However, the comedy in the movie came to me as a surprise. Comedy in Kurosawa's movie, really? I a'int complaining. An epic adventure with humor - what's not to love about it? By now, I have a deep admiration for most of Kurosawa's camera techniques, specially long lens shots of battles and duels. Although Hidden Fortress isn't an all-out samurai movie per se, it has some stunning shots of action - the scene between the General and his arch nemesis is so well shot, I had to rewind it and watch a couple of times to savor it fully. Take a look at the chase scene that leads to a duel between them. The long lens panning of the camera is unheard of for a movie in 1950's!

While there is plenty of adventure (journey through the mountains, digging up gold, setting up traps/escape strategies), the film still explores the deep philosophy of Kurosawa i.e What makes humans happy? Greed? Friendship and loyalty? Trust? Scenes where the Princess first finds herself face to face with poverty and ugliness of human's mind are well-shot. This movie is set in feudal Japan and there is an intense class structure and divide that might be a little new to the Western audience. 

It is simply an honor to watch Kurosawa's movies. Hidden Fortress is one such gem. Take a bow!

Movie recommendation: The Essential Akira Kurosawa movies - Volume I

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First an introduction to the Japanese legend Akira Kurosawa, one of the pioneers of cinematic excellence. His movies are not your average cinema. This is the compelling kind of cinema - the kind you go back to, again and again. So when Hulu opened up their criterion collection for free viewing on President's Day weekend, I lapped it up. One after another. Like an hungry audience ready to feast. What heaven!

Seven Samurai was my first introduction as a kid to Kurosawa's prolific cinema and storytelling. My dad grunts in disgust whenever Sholay is aired on television and for a good reason - Sholay was inspired from the Magnificent Seven which was in turn a remake of Kurosawa's Seven Samurai. So like all conosseiurs of original cinema, he could never really get around liking Sholay. Of course, there is no comparison with Seven Samurai - it is one of the most legit samurai epics every made.

Finding Kurosawa's early works from 1950's and 60's was tough then. But not any more, thanks to criterion and modern day video streaming! I relished four of the best Kurosawa creations and many more to go. There is really no dearth of reviews on his movies; undoubtedly classics and the stuff of the legends. So this is just a teeny overview of the massive impression his movies have had on me.

Seven Samurai (1954)

IMDB entry: http://www.imdb.com/title/tt0047478

Genre: Action, Adventure, War

Seven Samurai is an adventure-warrior movie set in a village of peasants who hire seven samurai to defend their village from bandits. This movie was the lethal combination of groundbreaking camera work (much ahead of its time) and an intense storytelling (frame after frame) that resulted in a 3.5 hour epic cinema. This movie has all elements going for it - incredible story, technique, characters, well executed battle scenes, story of honor, trust and adversity and at the top of it all, a movie with a soul. You can find influences of this movie in so many Western movies (too many to list). If you want to ever buy a DVD for your life, this should be it. This is required viewing. This is cinematic gold.

Yojimbo (1961)

IMDB entry: http://www.imdb.com/title/tt0055630/

Genre: Action, Adventure, Drama

So if you haven't had enough of samurai dose (how can you anyway?), another classic is Yojimbo (Japanese for bodyguard). A samurai comes to a town in strife and ripped apart by two resident gangs who fight each other. He plays them against each other to get rid of them and free the town of bad elements.  Yojimbo is entertaining from the word go! A lot of elements and style in the Western movies - like a long lens shot of a cowboy, taut and skillful action scenes and visuals seem to be picked up from this movie. It is entertaining to watch as the story unfolds, as the samurai crafts his devious plans unknown to both gangs and how he methodically takes down each of them. Some amusing scenes and humor are thrown in as well. The movie is such a clever masterpiece and still looks fresh for a 1961 movie. A stroke of genius.

Ikiru (1952)

IMDB entry: http://www.imdb.com/title/tt0044741/

Genre: Drama

Ok, I had had enough of samurai flicks. I wanted a good drama and I got more than I wanted from Ikiru. Ikiru was on my "to watch" list for a long long time now. It is the story of a bureaucrat who discovers he has stomach cancer and only 6 months to live. He tries to search for purpose in the time left. Yeah, I know, we have seen maybe a dozen movies on this theme by now. But who knew, this movie would be the most "real" of them all. My tiff with other movies in this genre is they never show a terminal patient battling with finding a purpose. All the focus is on his emotions, past, memories etc. Of course, we have all of them here too, but this movie sucks you in because it makes you think beyond your sympathies for a dying man. This movie is relevant even if you are not battling a life-ending disease. It's sole focus is how we do "busy work" and not really anything credible or purposeful. It is also a satire on human behavior. The last 40 minutes just threw me off - it was a fantastic satire on how average humans are influenced by good things but for short time, they are mostly "all talk and no purpose" and do not have the courage to change things.

The opening lines puts everything in perspective

"Ah, here is our protagonist now 

(Protagonist is seated on a desk, buried behind stacks of paper in a bureaucratic department).

But it would be tiresome to meet him right now. After all he's simply passing time without actually living his life. He might as well be a corpse."

Rashomon (1950)

IMDB entry: http://www.imdb.com/title/tt0042876
Genre: Crime, Drama



Rashomon is an experimental movie - four witnesses to a crime tell their own version of what actually took place. Each version differs from the other and is left to the audience to believe which is true. The witnesses testify in a courthouse but the interrogator is never revealed - the camera is always facing the witness. It is as though the witnesses are talking to us, the audience, explaining the series of events that led to the murder of a samurai. The woman who plays the samurai's wife is brilliant. The scene where the dead samurai himself testifies (wtf, i know right!) using the woman's body as the medium, is creepy. Very well enacted by the actress. Other notable features of this movie was the clever camerawork. While each witness's story is played out, the camera is positioned differently to show how a different perspective or angle changes our own perception of the crime. The story takes place entirely in woods and the visuals are so well shot for a 1950 movie.

Apart from the interesting storyline, it was really the underlying theme that interested me more -  Why do humans lie? Do we need to be selfish to survive? Like Ikiru, it questions our weaknesses as a human and our faith in humanity.

PS: If you really have to pick your first Kurosawa movie, I would highly recommend to go with Seven Samurai. Can't go wrong with it! While I can't wait to see four other movies of his I picked for my next viewing.

Movie recommendation: Dosti (1964)

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Note: I tend to revisit this movie whenever I am in mood for a classic:) This is easily one of Hindi cinema's most cherished but less heard classics. The legendary music and Rafi's voice is just an added bonus.

IMDB entry: http://www.imdb.com/title/tt0146645

Genre: Classic, Drama

Language: Hindi

First a slightly amusing story about how I happened to watch this movie. When I was a kid, I loved watching commercials (crazy I know!) over anything else. So when this movie was played on the television I got up to leave. But my parents coaxed me into watching it. How you ask, would they achieve a rare feat like that? A little girl in the movie (who plays a small but pivotal role) goes by the name Manju. And presto, I fell for it. I was mighty amused (and proud) that they would use my name in a full length feature film. 

Alright, that might not have been so much amusing after all. But anyways. You MUST watch this movie if you are into long lasting friendships and all (who isn't?). This is the single most awesome movie on friendship and will ever be in Hindi Cinema. And please, I don't mean Dosti - Friends Forever, a 2005 Bobby Deol movie. Sigh. This is a 1964 classic with unknown faces but who will melt your face with their acting and emotions. Also, for those who think Sholay is the greatest friendship movie ever - b**** please.

Btw, full movie is available on YouTube (yay!)

The movie follows a rare friendship between a blind boy (Mohan) and a crippled boy (Ramnath) who live in extreme poverty and meet each other by fate. Mohan leaves his village in search of his sister (he doesn't know her address) while Ramnath is homeless and orphaned and has the passion to study. Penniless and poor, they roam the streets of Bombay. Mohan has a gifted voice. Ramnath plays the mouth organ and both of them make little money off their street (singing) performances. Rest of the story is how both brave hardships but find what they want - Mohan helps Ramnath achieve his dream to study while Ramnath helps Mohan find his sister.

If you are an Indian, you would've definitely heard atleast one track from this movie. The music of this movie is legendary and has some of the most melodious tracks rendered by the lethal combination of Laxmikan- Pyarelal and Md. Rafi. You will also happen to recognize a young and bright Sanjay Khan (the guy who played Tipu Sultan in the 90's, remember?) in a miniscule role. The rest of the cast is pretty much unknown. 

What makes this movie so endearing is the sanctity of it all - a no frills story, poverty in post independence Bombay, the general apathy towards the poor (yes, this has always been there, not just a modern day malady) and above all the rare friendship between two young men who depend on each other for survival initially but form a strong bond later. You will be really embarrassed for modern day Bollywood - the storytelling in this movie is so pure and human relations are depicted so accurately (no over-the-top drama and no ill-conceived characters). If there was an IMDB list for top 100 bollywood of all time (is there), this should be in it - no exaggeration.

If you want to watch a Black and White Bollywood classic, please make it this one. Worth the 2 hours, if not for anything, atleast for the music. I bet you won't forward the songs in this one.

Movie recommendation: No Country for Old Men

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Note: The movie that inspired me to read the book (from which it was adapted). Need I say more?

IMDB entry: No Country for Old Men

Genre: Crime, Thriller

If you enjoy symbolisms in movies, this one will be definitely liked. This movie at first viewing might also seem to be borderline meaningless. Until you get the symbolism of it all. That I got it only in the second viewing, is something that I will admit to frankly. Plus a second viewing is a must, to have a greater appreciation of this movie. It grows on you, like vintage wine or cheese.

Don't worry about the title, not yet. When the end credits roll you will totally get it. The movie follows a drug deal gone wrong in a remote Texas county. Moss (Josh Brolin), a smalltime plumber, stumbles onto the scene and walks away with the booty. However, there is a pyschopathic killer Chigurh (Javier Bardem) who is on the trail and will stop at nothing to get his money. There is also an old sheriff (Tommy Lee Jones) in the mix, who investigates the murders and is struggling to understand the gravity and deadly repercussions of the crime.

Sounds ordinary? It won't if you see it. On the outside it seems like the classic cat chasing mouse thriller but inside it questions the intentions of crimes we read about in the news, everyday. Crimes that have no motive. Crimes that are so maniacal, it is gut wrenching. And such a story, as seen through the eyes of the sheriff, tells it all. That we live in a world full of violence, that is unexplainable and unfathomable. And this is what the sheriff struggles with - to understand the psyche of Chigurh. 

The sight of Chigurh is menacing and sends chills down the viewers. And Javier Bardem just epitomizes evil in this character - a kind of lunacy that is hard to imagine or comprehend. This conversation from the movie substantiates Chigurh's description:

Man who hires Wells: [about Chigurh] Just how dangerous is he? 

Carson Wells: Compared to what? The bubonic plague? 

There were scenes where my hair stood up; seeing him walk with the cattle gun (he carries a shotgun cylinder that is used in slaughterhouses to kill cattle). My heart pounding when the sheriff goes back to the scene of crime in the motel and Chigurh is inches away from him. And that with no background score, an ominous silence (except for the creak of the footsteps and the sound of breath) made it as intense as it could get. For that and the unconventional storytelling, I have to give credit to the genius that is Coen brothers (The Big Lebowski, True Grit fame)

The problem with this movie is - either you like it or don't get it. Some things I appreciated on my second viewing is the way the Chigurh's character is given no justification - he is simply monster of a man - no explanations for his behavior. That good doesn't necessarily triumph over evil, all the time. That sometimes the unexpected of things can happen and you wouldn't see it coming (similar to the climax of this movie that jolts you for a moment and also leaves you confused). This movie is as good as it can get for a modern Western tale. But watch it closely to get its intricacies.

Movie Recommendation: Senna

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Note: During a chance browsing, I bumped into this documentary on Netflix. Easily one of the best documentaries I have watched (more than once). A must watch, even for non-Formula One (F1) fans like me. Strongly recommended!

IMDB entry: http://www.imdb.com/title/tt1424432/

Genre: Documentary, Drama, Sports, Memoir

I am not a Formula One fan. I don't even watch the sport or follow any related news. My only reference to F1 is perhaps a name "Schumacher" and the word "McLaren" inscribed on my boyfriend's bike. So yes, that disclaimer was meant for everyone like me who knows nothing about the sport and doesn't care much about it. So imagine my surprise when I just felt so taken by this documentary on Senna. 

Ayrton Senna was a legendary F1 racer from Brazil, who had near mythic status in the world of Formula One. And this is a documentary spun over recorded events and archived footage of his life (I have a dislike for documentaries that are huge portions, reenacted). Parts of this documentary were so intense, it broke my heart. I now have a huge appreciation for F1 racing drivers and the sport.

The opening lines of the documentary nails the mood and story that is going to unfold as Senna's voice booms in the background:

"1978 I came to Europe the first time to compete outside Brazil in the world championship. It was pure driving, pure racing. There wasn't any politics. No money involved either. It was real racing."

It follows the struggles of Senna in the world of Formula One championships. From a young passionate driver to a cult figure, battling his arch nemesis Alain Prost, riding high on emotions and spirituality as an individual, fighting for the safety of drivers and yet fiercely competitive on the track purely out of love and passion for driving. The documentary with its haunting background score makes it a thrilling ride (ya pun intended but true to the word). You get a glimpse of behind the scenes of F1, as seen and experienced by Senna.

It is exciting to watch the rivalry between Senna and Prost and heartbreaking to watch the tragic climax. But what caught my attention (and will surely draw yours too) was his spirit. His raw passion and spirit to ride above controversies and hold his home country Brazil so close to his heart (he was deeply concerned and involved with finding hope for Brazil's poverty and economic instability), even though a large part of his life was spent living in Europe and pursuing a racing profession.

The scene that nearly made my eyes wet was the one from 1991 Brazil Grand Prix. (I was eating at the time and stopped chewing the food in my mouth). This was the first time he had won in his home country. And that, after beating all odds of driving a broken car and triumphantly waving the Brazilian flag on the win.

This movie is a perfect tribute to the icon that is Senna. And kudos to the director for not including re-enactments or third person interviews on Senna - they just break the narrative in a documentary. This is one of the major reasons why people who like movies (commercial ones) hate documentaries - because they are made boring by such distractions. The documentary is so well put together (thanks to its deft editing) that it is part sublime and part fascinating at times.

This is also a movie that will teach you a thing or two along the way. That nothing comes easy. That, come what may, you should never give up. That a sport can truly be a form of art or passion (because all he ever wanted to do was to race). That nothing can break a human spirit, so pure that it leaves behind a legacy called Senna.

Movie Recommendation: The Stoneman Murders

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Note: Because Talaash disappoints this week, I am going to recommend a lesser known Bollywood alternative to give you the chills. This one gives you the goosebumps and keeps you on the edge.

IMDB entry: http://www.imdb.com/title/tt1183946/

Genre: Crime, Thriller, Suspense

This movie is based on the true life incident of serial killings in Bombay in the early 80's. Interestingly, this was never solved according to police records. The movie director gives his own spin (and conclusion) to this whodunit.

The movie dwells right into the crime in the initial 10 minutes. A pavement dweller is brutally killed (his head smashed by a stone) one night in the Matunga area of Mumbai. A local policeman who has been recently suspended sniffs a serial killing spree but the other policemen wave if off as a random killing on the streets. As suspected, there are numerous killings that follow and establish a pattern - the killings happen between hours of late night and dawn only and is targeted at the pavement dwellers. The suspended policeman thus continues to investigate about the murder, off duty. He sets out to gather evidence and prowls the streets in the night to prevent the killer from harming any more people. But he soon becomes a suspect after police find circumstantial evidence incriminating him. Who is the serial killer and why is he targeting only the pavement dwellers? What is the motive behind the killings? The movie solves these as it approaches the climax.

This movie is bone chilling. The pace is quick and keeps you on the edge. Except for the stray song in a bar, there are no such distracting interruptions in the movie. The underbelly of Mumbai - street dwellers, tramps, bar dancers and the flourishing businesses in the dark add to the mood - most of the movie is dark. There are several times where policeman and the killer run into each other. This makes the movie very racy. The conclusion is believable (backed up by a possible and practical reason for such brutal killings). However, it is not something new - this kind of a conclusion has been seen before in other movies and is rather the only weak point in an otherwise gripping thriller.

What can I say about Kay Kay Menon? As the suspended policeman who tries to solve the mystery, Kay Kay Menon shines and how! He has such formidable acting skills and is convincing as the trigger happy and reclusive cop. Contrastingly, Arbaaz Khan in a smaller role struggles. Rest of the cast does ok. The direction and editing is slick. This movie would have had more impact on a big screen, in fact. 

Overall, a good psychological thriller sure to be enjoyed by thriller movie fans. 

Movie recommendation: Stanley ka Dabba (Stanley's Lunch Box)

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Note: It takes a lot (for me) to like a kid-centric movie. Yes, I am heartless like that. It took me two times and undivided attention to even appreciate Taare Zameen Par. But this one is different. It is a winner from the get go.

IMDB Entry: http://www.imdb.com/title/tt1907761/

Genre: Children, Family, Drama

If there is a movie that can connect to you in nostalgic ways, this is it. It brings back your school days. Of trivial fights, innocent friendships, crushes on teachers and the like. Plus, an important message delivered to the audience is the icing on the cake. Every movie story must connect with the audience, emotionally, for the greatest impact. And Stanley ka Dabba has this one in the bag.

Stanley is your average high school kid. He is bright, smart and a favorite among kids and his "Rosy" teacher. His friends share their lunches (tiffin boxes) with him since he doesn't get his own (his excuse is his mother is out of town so there is no one at home to prep his lunch box). Meanwhile a gluttony school teacher who teaches Stanley's class sets eyes on their substantial lunch boxes. Stanley's friends are not too happy about it and evade the teacher by changing their lunch spots everyday. But not too long, as the teacher soon understands that he is being tricked. Out of anger and humiliation he asks Stanley to attend school only when he can bring his own lunch box. Will Stanley get his own lunch box? What is the mystery behind his lunch box? This forms the rest of the story.

Without giving too much away, this is what works for the movie - a suspenseful precedent (why doesn't Stanley get his lunch box?), heartwarming high school moments, subtle digs at Indian teachers who emphasize rote over practical projects (yes, our education system is wrong in so many ways) and a surprising but impactful message at the end of the movie. You come to understand in the end that "dabba" (lunch box) was only used as a metaphor for the greater message it wants to get across.

Incidentally the director, Amole Gupte was also the writer for Taare Zameen Par (a film on dyslexic kids). And no, both movies have no similarities and neither is it a sequel (the kind of assumptions people make, uff!) In fact, he excels much more here with his storytelling that sounds far less preachy and yet has a far reaching message to deliver. A message that will leave you brooding for a couple of minutes after the movie ends. The genius lies in the honest treatment and the powerful climax that ties in with the story beautifully. 

It isn't every other day that you come across honest cinema with a good message. Sometimes I wonder why Bollywood movie folks are spending boat loads of money on insubstantial, brain-dead and purposeless stories when they could easily make a dozen such meaningful movies. Stanley ka Dabba proves that cinema can be both honest and entertaining at the same time. And for that you owe yourself (and your family) to watch it.

Plus heartstrings will be strummed. Guaranteed.

Movie recommendation: Teen Deewarein (Three Walls)

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Note: I had no expectations of this movie. In fact, I wanted to catch a bit of Hyderabad Blues today. I was surprised that Teen Deewarein was the only movie of Nagesh Kukunoor's that I haven't watched. So I gave it a shot. And boy was I surprised!

IMDB Entry: Teen Deewarein (Three Walls)

Genre: Crime, Suspense, Drama

I love watching experimental cinema. I like to give myself a break from the usual, predictable Bollywood plots. That's when I lookout for some offbeat movies like this one. Of course, the more non-Bollywood it is, the more patience you need. Sometimes these movies don't end well and you are left with a bitter taste. This movie is definitely not one of those. The plot is unfolded slowly but it all ties in well and makes sense in a revealing climax.

This is a story of three prisoners facing a death sentence and a filmmaker (Juhi Chawla) who wants to shoot a documentary of their lives in the prison. Each of them have murdered a woman in their life. As Juhi gains trust of each of these men, their stories unfold and give us a perspective of their circumstances. Since all of the movie is inside a prison, you get a glimpse of what goes on in an Indian prison. What happens inside the prison and how Juhi turns around their lives forms the rest of the story.

Jackie Shroff, Naseeruddin Shah and Nagesh Kukunoor play the three prisoners and fit into their roles perfectly. Naseeruddin Shah gets the meatiest role - he plays a small time crook who is also a smooth talker and has escaped several prisons before. Jackie doesn't get much footage, but he is good in the limited role he has. Nagesh Kukunoor is a natural when it comes to playing a Hyderabadi, so this was an easy part for him. Juhi is a revelation! I have never thought of her as a "serious" actress - she was wasted in far too many ridiculous roles in her career and wish she did more of such roles. Because she is indeed a fine actress. The first 30 minutes of the movie runs at a slow pace. It continues in the same pace, but characters and events are blended well in the rest of the movie that you forget the pace after some time.

To a careful viewer, you will get subtle hints throughout the movie on what might happen later. Although the end isn't shocking, it wasn't predictable either. The twist at the end neatly ties in with the the story - i.e nothing in the movie happens without a reason. The fresh take at storytelling surprised me. Definitely a few shades of Tarantino style screenplay - with crime scenes switched in and out as the prisoners open up to Juhi; like pieces of a puzzle fitting together. The dialogues have been written in a mix of Hindi, English and Hyderabadi slangs to give authenticity to the characters - which I liked. Jackie's poetry on life and prison remind me of Red's narration in The Shawshank Redemption. 

There are a few scenes that can be hard to watch for an average Indian cinema lover. And definitely not recommended for family watching. The movie runs like a short film (under 2 hours duration) and this keeps the movie on track without swaying too much away from the main plot. i.e it fits in subjects like adultery, domestic abuse, prison hardships, love and betrayal etc.

This movie might not be a Shawshank Redemption in terms of impact, but it definitely proves that there are so many talented directors in Bollywood who can tell a story and an original one at that. A must watch if you are willing to take a break from Bollywood masala movies.

Movie Recommendation: Manorama Six Feet Under

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Note: I love mystery thrillers! Of late, very few movies in Bollywood are of this genre. The latest I have liked was Kahaani. So imagine my surprise when I bump into one of those lesser known, offbeat thrillers in Bollywood. What a treat!

IMDB Entry: Manorama Six Feet Under

Genre: Mystery, Suspense, Thriller

Firstly, I would like to say, if you are expecting too much action, big star cast and some Bollywood style melodrama and production values, you might as well stay clear of this movie. Although I do consider Abhay Deol as not only a big star but a seal of approval for offbeat movies (going by his track record of Dev D, Oye Lucky Lucky Oye, Ek Chaalis ki Last Local...). So if you are willing to consider an offbeat, suspense movie in a rustic setting, look no more. This is one of those niche movies.

The movie takes place in a sleepy town of Lakhot, Rajasthan. Abhay Deol plays Satyaveer, a bored middle class resident who works at the local municipality as a Junior Engineer. His wife Nimmi (played by Gul Panag), plays a nagging housewife who loves her TV serials and taunts his husband for the middle class lifestyle. Satyaveer's passion is writing but unfortunately his first book "Manorama" (a detective novel) reminds him of his failure as a writer (the book sells only 200 copies). He is so disappointed by its failure, that he does not own even a single copy of his own book. One day, he is approached by a minister's wife, also called Manorama (played by Sarika) who is suspicious that her husband is having an extra marital affair. She pays him to investigate as a private detective and take pictures of his affair, so she can gather evidence about his adultery. 

What follows is an intriguing plot where Satyaveer gets implicated in a double homicide, suicide of Manorama and a missing girl child from a local orphanage. The rest of the plot is how he connects the dots and solves the mystery.

Abhay Deol, is definitely one of the most underrated actors in Indian film industry. He gives life to the character of Satyaveer - both as a passionate detective and as a disappointed writer and husband. The rural setting of the Rajasthan town works well for the story and gives an authentic feel. The movie is slow at times, but picks up pace in the second half. The movie has plenty of good old fashioned detective thrills to it and also at the same time keeps you guessing - very unpredictable storyline. The movie runs on the stellar performances from Abhay Deol, Gul Panag and the supporting cast. I was surprised to see Nawazuddin Siddiqui in an insignificant role as a local goon - but I guess he got more popular only after Kahaani and Gangs of Wasseypur. He is definitely an actor to watch out for.

This movie is not fast paced so it is not a stylish action thriller and nor is it a modern one at that. It is a simple story with the right amount of creepiness and mystery that will keep you hooked if you are ok with its slackish pace in the first half. But I also think that is one of the reasons that make a mystery movie worth a watch - the slow unfolding of characters and sub-stories that add to the plot make it intriguing and suspenseful. Plus, this movie is set in a small town and going by that it has to be slow and uneventful. As a middle class Indian, I could really connect with some social issues that stand out in the movie - the way your neighbors pry on your privacy, small town corruption, greed and the rich poor inequality.

The movie, it seems is inspired by Roman Polanski's Chinatown (I haven't seen that movie yet), but I really don't care because the storytelling has been adapted perfectly for an Indian setting. This movie is a must-watch for mystery buffs! 

Movie Recommendation: 500 Days of Summer

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Note: You know how when someone asks you during lunch table conversation - "What's your favorite movie?" and you are taken aback. Because you know you have seen so many damn good movies, but cant seem to remember even one, at the time! Well, this one counts as one of my favorite movies...and will remember to mark it so in my memory :)

IMDB Entry: 500 Days of Summer

Genre: Romantic Comedy

This movie is pretty much summed up by its opening lines:

"This is a story of boy meets girl. But you should know up front, this is not a love story."

I will be honest, the first time I saw this movie I didn't think much of it. But the second time I saw, I realized it was cleverly made for a rom-com movie. I have been a rom-com movie fan for a long time. Specially the Nora Ephron kinds. (You know, The Harry Met Sally, Sleepless in Seattle, You've Got Mail types?) The type that leaves you with a warm fuzzy feeling. Of late, I have lost interest in this genre. Because every movie in this genre is a rehash of known rom-com hits. So if you are a man and reading this right now, don't stop reading. Because this movie is nothing like a usual rom-com that focusses only on girls and their fairy tale stories. Yes, it has the "cute" moments, but equal parts of the movie are also focussed on the guy. And here it is the guy who believes in true love, marriage and happy ever after.

Joseph-Gordon Levitt plays Tom, your average guy next door, passing away his time in a greeting card company where he devices corny captions for cards. Although he is an aspiring architect, he is quite comfortable leading his life this way. He strongly believes he will meet his true love someday. The new copier girl, Zooey Deschanel as Summer, arrives and Tom believes she's the one for him. The two start dating.

The movie also follows a very non-linear narrative,  journaling 500 days of their relationship - which I thought was a refreshing way of narrating a story. Because really in life and relationships, all things bittersweet are non-linear. You go through highs and lows, laughs and fights and they are never really coherent. The movie is sprinkled with songs (yes! kinda like Bollywood movies) that gives it a "Glee" like look in parts. But they aren't disruptive and flow well with the narrative. In fact, some of the songs (I never heard of before), became my favorites from this movie.

There are a few elements that work in this movie -  its "close to reality" portrayal of a relationship that starts from the blossoming of love to periods of confusion and fights due to the pair's diametrically opposite views on love. This movie will relate with guys who have gotten their hearts broken and eventually went after their dreams and moved on.

The lead actors share a great chemistry - so believable that at some point in the movie, you really want their relationship to work out. The cinematography is brilliant and well thought out. For example, in one of the songs the color coordination is blue to match Zooey's blue eyes.



All said, in every movie I look for a story and the storytelling. And I think this movie was a good attempt in telling the usual love story in a clever way - heartbreaking and hopeful, just like life. This movie definitely grows on you - I have liked it more the second or the third time I watched. 

And no, I don't think Summer is a b****. What did you think?